In Coralie Fargeat's new feminist horror flick The Substance, harmful popular appeal criteria are the genuine monsters. They (women objectification, the disposal of "the old," the proliferation of an industry built on body alteration) nourish a monster of a cycle that leads Demi Moore's fading TV individual character Elisabeth https://deaconfrost2025.wikikali.com/857307/the_substance
Margaret Qualley In The Substance
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